Dan Gagnon-King

@inproceedings{10.1145/3731459.3773304,

title = {GlassIO: Long-Term In-Home Study of Hybrid Craft Through Interactive Stained Glass},

author = {Daniel Gagnon-King and Lee Jones and Alisa Gamayunova and Sara Litwiniuk and Renee (Xinyu) Chen and Alisa Liu and Catherine Stinson and Sara Nabil},

url = {https://doi.org/10.1145/3731459.3773304

https://youtu.be/P5zUGvsO2Wg

},

doi = {10.1145/3731459.3773304},

year  = {2026},

date = {2026-03-01},

urldate = {2026-03-01},

booktitle = {Proceedings of the ACM Twentieth International Conference on Tangible, Embedded, and Embodied Interaction (TEI '26)},

address = {Chicago, IL, USA. ACM, New York, NY, USA},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{10.1145/3569009.3572796,

title = {Interactive Stained-Glass: Exploring a new design space of traditional hybrid crafts for novel fabrication methods},

author = {Daniel Gagnon-King and Lee Jones and Sara Nabil},

url = {https://dl.acm.org/doi/10.1145/3569009.3572796

https://labs.cs.queensu.ca/istudio/wp-content/uploads/sites/12/2023/01/stainedglass.pdf

https://youtu.be/ceSS-T5mdNo},

doi = {10.1145/3569009.3572796},

isbn = {9781450399777},

year  = {2023},

date = {2023-01-01},

urldate = {2023-01-01},

booktitle = {Proceedings of the Seventeenth International Conference on Tangible, Embedded, and Embodied Interaction},

publisher = {Association for Computing Machinery},

address = {Warsaw, Poland},

series = {TEI '23},

abstract = {Stained-glass is a craft with a wealth of opportunities that blends seamlessly into our everyday environments. Despite sharing similar tools and materials with other types of hybrid crafting, authentic stained glass is underexplored in HCI. We introduce stained-glass to TUI researchers, explain the fabrication process thoroughly (using the traditional methods of both copper foil and lead came), and explore its potential as a conductive substrate for interactivity. We contribute fabrication techniques to support various circuit connection traces, light diffusion methods, interactivities, and aesthetic qualities. We also introduce three potential applications as proof of method validity in different contexts. We follow this with a discussion on experiential outcomes and the importance of creative practices in the development of interactive artefacts.},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}